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A haunting, hilarious talk on the beach with George Saunders

(To read El Gringo Feo’s Costa Rica Diary from the beginning, start here.)

Tuesday, August 28

I’ve been thinking a lot about ghosts.

We passed a Tico cemetery at some point while Jeff was driving me from the airport in San José to Uvita, and I noticed the graves there were above ground, a cluster of concrete, casket-sized houses scattered about, similar to the way they do it in New Orleans (though not as grandiose).

I read somewhere that Ticos celebrate El Día de Los Muertos. One of the most moving things I’ve ever seen was in a Mexico City cemetery on the Day of the Dead. Hundreds, maybe thousands, of Mexicans were there, clustered around the graves of their loved ones, eating their favorite foods, singing their favorite songs. The ground was a veritable carpet of marigold flowers. I used the word “celebrate” above deliberately. The Day of the Dead isn’t about mourning. It’s joyous. Bittersweet.

Sitting on the beach yesterday, I watched the Pacific roll ashore at low tide, but the roar of the surf wasn’t the only thing in my ears. I had my AirPods in, playing a New York Public Library Podcast recorded in June. George Saunders, one of my favorite writers, was being interviewed by Paul Holdengräber, who asks Saunders if he believes in ghosts. The writer says yes almost immediately, but then provides this nuance :

I certainly believe in ghosts as a literary thing because they’re here,. I mean, in other words, which of us, sitting here, doesn’t have several dead people whispering lovingly or harshly in your ear, and which of us doesn’t sense ourselves as one of those people eventually. Again, in terms of making a scientific view of the universe, you can’t discount the dead. They don’t disappear in any sense. They’re in your neurons. When I use them it’s mostly to say, if i just write a story in a realistic frame, I feel like I’m not quite telling the whole truth — that we all carry dead people around with us, and we carry the prospect of our own death around with us so that, somehow, has to be brought into play a little bit. Plus, they’re fun. They’re a riot.

I keep thinking the book I’m writing is really a ghost story. But I have no interest in cranking out a work of Gothic fiction, and I don’t have the talent to pull off something like Saunders’ Lincoln in the Bardo (which was absolutely brilliant). But the quote above got my wheels turning. There’s something there. I just need to figure out what it is …

(BTW: If you’re into podcasts and literature, I highly recommend that Saunders interview. There were times when I was laughing out loud as I watched the waves. He’s hilarious, brilliant, accessible, yet grounded and down-to-earth.)


As I walked Playa Colonia, I wondered why I’m not hitting this beach every morning. It was low tide, peeling back a long stretch of sand that had been under water just a few hours earlier. I looked for shells, flotsam, jetsam, whatever, but I’d stopped for breakfast on the way and other beachcombers had beaten me to the punch. All that was left were fragments of sand dollars. A washed up stingray. A single, pearly pink shell, which I picked up and pocketed.

I passed novice surfers struggling to master the waves and was delighted to see several people walking with their dogs, including a small white terrier who had no use for the sandpipers scurrying ahead of him.

The dogs here seem well-fed and well cared for overall. I encountered several on my way to breakfast. Most wore collars and all were friendly or indifferent, more focused their morning routines than some random passing Gringo.

It’s hard not to love a place that loves its dogs.


After a simple dinner of pineapple that I picked here on the property and a papaya that would make my umbrella cockatoo drool, I retreated to a deck with a Pacific view to listen to podcasts and battle my book. It wasn’t long before the rain came in torrents, so loud on the metal roof I couldn’t hear the podcast, prompting me to hit pause until it passed. Is this what the rainy season is like? Sweet, clear mornings that yield to stifling humidity in late afternoon and an atmospheric tantrum. to end the day. I can live with this. But I suspect the worst is yet to come. If April is the cruelest month, September is the soggiest. At least here in Central America.

This rain is having an impact on my evening vespers. For the second night in a row, a deluge canceled Sunset at the Shack. No regrets. I’m enjoying the rains, especially the calm that descends after, when crickets, cicadas, frogs and other night creatures rise up to fill the night with their own buzzing din, singing me to sleep in the Treehouse.

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Dancing with La Muerta

It’s hard to believe the concrete chaos of Mexico City was once a large system of lakes and canals. At Xochimilco, it’s possible to get a taste of what things once were. Trajineras, boats reminiscent of Venetian gondolas, line the docks, waiting to take tourists out to see the floating gardens that lounge throughout the canal system.

Lara, Anita, Emma and I arrived too late to get a daylight view of the gardens, but we did have time to wander around and watch tourist-packed trajineras drift in to the embarcaderos (docks). We were there for something slightly different.

Performance artist Klaudia Vidal had arranged to take two of the trajineras out for a nighttime performance commemorating Dia de Los Muertos. We listened to the musicians play Son Jarocho music dockside for a while and then boarded a pair of trajineras that had been lashed together. Klaudia and the band took up most of one boat while the audience watched from the other.

The boatman used a long pole to propel us through the blackness while Klaudia and the musicians gave a frenzied performance. ¡Qué increíble! My Spanish sucks (i.e. I’m limited to present and present-progressive tenses and have a vocabulary of a few hundred words), but I was able to glean that La Muerta was warning us life is short and to make sure we enjoy it while we can. It was a wonderful mix of music, poetry and performance art.

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Pyramid of the Sun

Emma snapped this photo of me and Lara at the base of the Pyramid of the Sun at Teotihuacan.