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Books Innisfree Uncategorized

The Strange Lives of Familiar Insects

Su Zan Swain’s drawing of a praying mantis

I’m watching insects through an entirely new lens on this autumn day, bathed in October Light (as John Gardner would have it). Crows raise hell in the trees on the other side of the ridge. Stanton Moore’s tribute to Allen Toussaint rolls out of the cabin in a funky tumble of brass and drums, rattling widows that I just squeegeed clean.

And the insects. Stink bugs queue up on the screendoor, waiting for opportunity to knock. Hordes of small white butterflies flutter about, seeking a taste of nectar from fading wildflowers. Bugs blur by on translucent wings, too fast for me to discern details.

It was cold last night. Not freezing, but close enough at 37 degrees to try the cabin’s fireplace for the first time. As I sit on the deck at Innisfree, I sense their insect urgency. Winter is coming. Time to breed and die. Or burrow. Or suck the life juices out of one last aphid.

I’ve been gnawing on Edwin Way Teale’s “The Strange Lives of Familiar Insects.” Annie Dillard referred to it in her magnificent Pilgrim at Tinker Creek as “a book that I cannot live without.” That set me in motion to acquire a copy of the 1962 field guide. It was worth the effort.

I suspect much of the info might be dated, given that the book is more than 50 years old and scientific research never stops. For instance, Teale notes praying mantises have flown to the rooftop deck of the Empire State Building, which he refers to as the tallest building in the world, a title it lost to the World Trade Center in 1971.

But it’s still a delight to read, delivering gems like this: “The dragonfly nymph is a bloodthirsty ogre, stalking endlessly for living prey.”

My copy is old, perhaps a first edition. Every time I open it, that wonderful old-book smell drifts upward, whisking me back to the Carnegie Library in Swissvale that was a key contributor to my lifelong love of reading.

The insect drawings by Su Zan Swain are wonderful, and the black-and-white photos give the whole thing a noire feeling. I picked up numerous interesting tidbits while reading Teale’s book, including:

  • The period between an insect’s molts is called the instar.
  • Chitin is the substance insect shells are made of
  • The scientific name for mayflies is ephemerae, after the Ephemerides in Greek mythology, who live only a day. Ephemeris means daily journal in Greek.
  • Ephemerides is the Greek god of celestial mechanics “The mayfly stands in literature as a symbol for the swift passing of life, for the transitory nature of existence,” Peale writes. He also references Benjamin Franklin’s amusing letter on the ephemera, which I Googled and enjoyed thoroughly.
  • Dragonflies — a.k.a. the mosquito hawk — eat the larvae and the fully developed mosquito, and it’s not uncommon to find a dragonfly with a hundred mosquitos stashed in its mouth
  • The corn-root aphid’s eggs are carried by ants into their burrows to winter over. As the thaw comes, the ants take the aphides through tunnels to the roots of smartweed, where they can feed until the corn is available as a food source. Then the ants carry the aphides to the cornstalks, where they can spend the summer milking them for honeydew. This blows my mind. The ants are treating aphides like a herd of goats they are raising for milk …
  • Fireflies aren’t flies; they’re beetles.
  • Aphides can reproduce with no male. The males emerge in late summer to fertilize eggs for overwintering, but during the summer, the females are able to reproduce without any males and the spawn don’t turn out to be male until it’s time to lay eggs for winter.
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Innisfree Uncategorized

Settling in

After a week at Innisfree, we’re starting to feel at home. Sydney and Sunny are settling into their routines. Sydney even managed to draw first blood on the cabin, feasting briefly on the cedar baseboard behind his cage. So I’ll spend this weekend crafting an Anti-Sydney Device to place behind his cage. Come to think of it, there hasn’t been a place we’ve lived in during the past 30 years that Sydney hasn’t defaced in some way. Innisfree is in good company.

The snake skin I found in firewood stacked by the hearth.

Detail of the snake skin

I also removed a stack of firewood someone — presumably the real estate agent — stacked there in an attempt to stage the house. During that process I came across a magnificent snake skin. I’m assuming (hoping) that snake shed his skin out in the wood pile, not here in the house. It was a big one, based on the skin. Maybe 5 feet …

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Innisfree Tree Bob Uncategorized

Seeing the forest — and the trees

Upper branches of the Alpha Oak.

One the cusp of buying a cabin with 16 acres of forest, I started obsessing about trees. The book Seeing Trees: Discover the Extraordinary Secrets of Everyday Trees has been aiding and abetting my new fixation.

One of the recommendations author Nancy Ross Hugo makes in Seeing Trees is to name specific trees and watch them closely, over time. We tend to see trees as massive brown/green blobs. Closer inspection reveals what complex ecosystems they are. So upon arriving here at Innisfree, I started sizing up the trees on the property. There are numerous white oaks and maples, but there are two trees that caught my eye immediately.

A white oak on the property that I’ve named the Alpha Oak.

The first is Alpha Oak, a massive beast of a tree that’s west of Dove Cottage. Based on its size, I’m betting it’s a few hundred years old, and as I stood there looking at it in awe with a friend, he noticed that high up in the branches there’s some sort of block and tackle mechanism. I’d love to how — and why — it got there.

The tree on the far left is a white oak. To the right of it, Dancer bends to reach the sun, her trunk forking into two branches like arms.

The second is the much more diminutive Dancer, which is near Innisfree. I’m to sure yet what type of tree it is (Hugo recommends not obsessing too much about that early on — to just get out and get acquainted with the tree). But the way the tree gracefully raises its branches to stake out a sunny spot in the forest canopy is beautiful. I’m going to pick up some binoculars so I can try to make an ID on what type of tree Dancer is, but that’s not stopping me from watching it sway in the wind as I sit on the deck at Innisfree.

At our place in town, there’s Maude, a massive tulip poplar that shades Maude’s Place. Both the house and tree are named after Ruth Gordon’s role in the 1971 film Harold & Maude. It was a year or two before I really even looked at that tree. It was the incredible flowers it produces that caught my attention, and from there, I started noticing what a beautiful tree it is year-round.

During the winter, Sunny and I spent hours hiking the trails of Strouds Run State Park, where I often paused (despite Sunny’s desire to push onward) to watch leafless trees sway and creek in the winter gusts, reminding me of a wooden ship bucking the ocean, it’s timber masts straining and creaking under sail. Now that it’s spring and I’m living in the forest, I’m looking closely at trees that I used to view only in profile and realizing what incredibly complex organisms they are. I’m spending a lot of time looking up, noticing deciduous details that I’d been oblivious to previously.