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Books … there’s an app for that?

Cody Brown argues on TechCrunch that books shouldn’t be mere shovelware on the iPad. Think about them as apps. Not lifeless, flat PDFs.

To quote Brown:
“If you, as an author, see the iPad as a place to ‘publish’ your next book, you are completely missing the point. What do you think would have happened if George Orwell had the iPad? Do you think he would have written for print then copy and pasted his story into the iBookstore? If this didn’t work out well, do you think he would have complained that there aren’t any serious-readers anymore? No. He would have looked at the medium, then blown our minds.”
OK, authors. Blow my mind.

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Art Bob Media Bob Uncategorized

Steve Turner’s life

Photo by Don Dudenbostel (c) 2010

Don Dudenbostel’s portrait of Steve Turner, who raises bear hounds and gamecocks in Cocke County, Tennessee. The photo is part of Dudenbostel and Tom Jester’s Vanishing Appalachia exhibit at the East Tennessee Historical Society. “The constant crowing of gamecocks and baying of hounds fill the air day and night, but it is a sound that reminds Turner he’s home — and living life on his Cocke County farm just the way he wants it,” Jester writes in the book that was produced for the exhibit.

Here’s an audio file that Tom made of Steve Turner talking about his life:

Steve Turner’s Life, wav audio file, 36.6mb

(All info on this page is reproduced with Jester and Dudenbostel’s permission.)

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Music Bob Uncategorized

Exploring jazz …

I like jazz. A lot. But in that way most ignoramuses like things. In that “I know what I like” kinda way.

It’s left me with a sketchy, eclectic knowledge of jazz. Then I stumbled across an amazing book: “Hear Me Talkin’ to Ya: The Story of Jazz as Told by the Men Who Made It.”

Nat Hentoff and Nat Shapiro managed to collect dozens of first-person accounts of the birth and growth of jazz. The book was published in 1955, so it doesn’t address what’s happened during the past half-century. But it does offer incredible insight into the musicians who created this American art form. Hentoff and Shapiro stay out of the way, letting the musicians do all the talking.

I particularly liked the early sections that offer detailed accounts of New Orleans in the early 20th century. If you’re interested in jazz and haven’t already found this book, go out and do it. It’s a great read, as witnessed by these excerpts:

People used to ask Bix Beiderbecke why he didn’t play his music the way he recorded it. He’s quoted as explaining: “It’s impossible. I don’t feel the same way twice. That’s one of the things I like about jazz, kid. I don’t know what’s going to happen next. Do you?

Billie Holiday describes the first time she sang at a club. She and her mother were in dire straits, practically starving, and she went to the Log Cabin Club in search of employment. “I asked Preston for a job, told him I was a dancer. He said to dance. I tried it. He said I stunk. I told him I could sing. He said sing. Over in the corner was an old guy playing the piano. He struck ‘Travelin’ and I sang. The customers stopped drinking. They turned around and watched. The pianist, Dick Wilson, swung into ‘Body and Soul.’ Jeez, you should have seen those people — all of them started crying. Preston came over, shook his head and said, ‘Kid, you win.’ That’s how I got my start.”

The book focuses on a lot of musicians, not just the Holiday/Beiderbecke/Armstrongs of the genre. I’m still an ignoramus where jazz is concerned, but “Hear Me Talkin’ to Ya” has given me a lot of new ideas and sounds to explore.